Coming home the other day I faced a long series of flights, waits at airports, trains and buses the last of which didn't turn up while a friendly wintry squall clattered in off the North Sea. Lovely.
Point is, although I had laptop and notebook and writing on my mind, there's a limit to how much of that you can do en-route without your brains dribbling out of your nose. So I needed a book and hied me to a bookshop in the airport.
I could have had anything from literary fiction to women's erotica via Foreign Affairs magazine, but I wanted a mental holiday. I am a reasonably educated chap and for some reason get uneasy buying genre

action thrillers of a certain kind. Dunno why. But I love
Clive Cussler so when I picked up
Plague Ship and saw the exploding and sinking passenger liner on the cover, it was crappy literary love at first sight.
SPOILER ALERT.
The book does the thing that drives me nuts: chapter 1 second world war opening, chapter 2 bang into the present day. Rend, gnash.
There is a super secret private organization (The Corporation) that goes round the world writing wrongs, using a superduper jet powered boat that looks like a rotting tramp steamer but is packed, packed with beautiful clever and violent people who are on the side of angels, that is the USA. It has a lot of guns, rockets, nice carpets aboard, a cameo English steward and the boss is an amputee.
There is also a loony cult which sounds to me like it was based loosely on Scientology. Similar alien-influence on human affairs philosophy, similar Hollywood fan base. Only this lot have secret plans to sterilize most of the world and have a virus (genetically engineered, natch) which they will use to do it. Then the world will be healed as population crashes. A son of the former is involved with the latter, so rusty boat owning gun toting goodies go after virus owning notScientologists and all
manner of improbable mayhem ensues.
Liners are found drifting with 100% aboard dead, Iran starts torpedoing boats, there are sea chases, car chases, ludicrous escapes (fired from the smokestack of a liner while it sinks, anyone?), the obligatory Cussler action at sea and running around Underground Facilities while the roof falls down. The large cast of characters are each tissue thin, the dialogue sometimes clunkingly awful (and sometimes good - I presume Cussler's gazillion dollar success makes him editor proof) and some of the action sequences are just daft in the bleedin' extreme.
The middle of the books wallows, and by the time the amputee hero has impersonated a sheikh, kidnapped a Russian arms dealer, got from him the codes to hijack a Soviet satellite called Stalin's Fist and uses it to drop an 1800lb tungsten rod onto the island of Eos (the Greek one, not the one where Canon makes all the cameras) where the notScientologist cult has the device which will spread the code to release the virus to sterilize the world, obliterating the Island from which the other hero (not an amputee, I seem to remember) has managed to escape at the last moment, your sense of disbelief has not so much been suspended as hanged, drawn, quartered and its remains dragged to a darkened beach and buried at low water.
For all my wanting to jump out of my airline seat and yell, 'that couldn't happen!' and 'people don't talk like that!' it was a blast. It was a great few hours of reading. Will I buy another of The Oregon Files full price? Doubtful, but I don't begrudge Mr Cussler his royalties on this one as it saved me from going round the twist during a 27 hour travelothon. He also uses his royalties to fund his work on
marine exploration and conserving historic shipwrecks.
It did have the side effect of making me think I could do better and the last few hours of a torrid day were spent pounding the MacBook keyboard. It's about a boat, and a virus. No one's done that before.